It has taken me seventeen years to complete this portion of my memoir. It has gone through numerous stages – beginning with the raw outpouring of emotion in my journal. Sometimes wildly scribbled on unlined and lined pages, it first began to take form during a writing workshop I took in Idyllwild, taught by Cecilia Woloch, the summer my brother died. I have Cecilia to thank for first drawing the story out of me and then, fifteen years later, editing it. I owe it all to Cecilia, for affirming me as a writer.
The journal became a collection of individually typed essays and poems. As a theatre director, I began a collaboration with a colleague and friend, Chris Winn, who set some of my poems to music. Over four years, we created two theatrical collages during the Lenten season at two different church communities, St. Matthew Church and St. Paul Lutheran Church. I have both those faith communities and the individuals who publicly gave voice to my words to thank for believing and supporting what was still an embryo of an artistic creation. As a writer, I was still not sure what form the story should take. Should it simply be a loose collection of poems and essays? I even flirted with turning it into a play, a musical, an oratorio, and an opera.
As the years passed, my spirit began to heal. With the passage of time came an aesthetic distance. I tucked the pages of my unnamed work away in a binder, in a filing cabinet, in a box. I moved four times between 2003 and 2007 and each time, the box came along – tucked up in the garage or under my desk. Most of the time it stayed unopened.
In 2005, I began teaching a personal journal writing class to older adults through the community college district continuing education program. My journey with this incredible group of writers sharing their life-long lessons of grief, loss, joy and sorrow was inspirational. Their generosity of spirit put my own story into perspective. I came to realize that while my journey was particular to me, it was not unique. Grief is a natural part of life. On the day that my mother passed, March 20, 2007, I spent the evening with this group of writers at a reading we had organized months before. There was nowhere I’d rather have been on my first night without my mother than with them. I watched the audience respond to their stories and I knew that in time, I too would need to share mine. It has taken me seventeen years to name this work as a memoir.
While I wrote this memoir out of my grief and revised it out of my artistry, it is first and foremost for my family. For my nephews, Rob and Matt, my brother’s sons who are as close to me as brothers themselves. It is for their wives, Joanne who entered our family with a platter of cookies on the night Bob passed and it is for Marisa so that she may know the story.
In my classes I often quote, “Our life is our journey, our journey is our story, our story is our legacy”… it is my hope that this story will one day provide my brother’s grandchildren, Hannah, McKenzie, Elise, Reid, Madeleine, and Jacob an understanding of their fathers’ courage and a glimpse of the beautiful complexity of our family and the legacy of love left by their grandfather, Bob, whom they never had the chance to meet. It is for their Nana, Peggy, who is and has always been the closest soul mate in my life. It is for Lenny and Linda - each whose place in our family tree is firmly rooted.
I have often lamented that at forty-eight years old, with the passing of my mother, I became the only survivor of my family of origin. This is a difficult concept for me to grasp and in time I will come to accept it. But I am also aware that my nuclear family is my family. This is for my children, Gillian and Brendan who have grown up with this story and are the most important part of my family’s story. And it is for the person who completes me - my husband, Steve, the steady and able captain of our little ship for whom no words are adequate. We all owe him a debt of gratitude for getting us through. I owe him my life.
I have many other people I wish to thank for companioning me through various parts of this journey. In particular, I would like to acknowledge my friend and spiritual advisor, Mary Loyola for being their at the hardest times, to Celine Miller who rescued me from the depths of depression and generously counseled me during some of my darkest times, to Gayle Hartell who mid-wifed me into being and to my life-long friend, Mugs for being herself and for giving me Cayucos. And to my many friends and colleagues who’ve supported me along the way over the years – Mayo Crismon who is always the first at the door in times of heartache, Susan Wuerer for her creativity, Tricia Homrighausen for being the vessel, Judy Jones for her faithfulness, Mary Barth for being a sister, Katie and Tony Bomkamp for their tenderness, Camie Booker for being at my mom’s bedside on her last day, Diane Bock for her perspective, Teri Rice for rescuing us, Ellen Wright for showing the way, Susie Smith for being my oldest friend, Deb Langhans for her honesty, Kathy Cleary for her generosity in my early days of grief, Virginia and Dan Knowles for their compassion, Darcy Rice for his support of my writing, Michael Kavanagh for being my kind “God-brother”, Giovanna Piazza, for her wisdom, Laurie Julian for her spirit, Corrine Bailey for first breathing life into these words, Peter and Mirella Hickman for their loving, prayerful support, Cindy Warden for making my dream come true, Randy Hills for our partnership and especially to Chris Winn - for the music, for the music, for the music.
This story is meant to be a loving tribute to my brother, Bob. Since it has taken me so long to finish it, I have matured and gained perspective over the years. My writing process often mirrored the stages of grief, remaining in the anger stage for a very long time. I can say with certainty, that I no longer have any anger – only compassion, forgiveness, acceptance, and appreciation for every part of this story, written, and unwritten. The title, Aria – seemed only fitting for a beautiful, tragic story that took on operatic proportion in our family. While through most of this story, Bob’s voice was muted, it will always sing out in my memory.
Finally, I wish to salute my mother, whose courage and strength in the face of tragedy and loss may be the greatest legacy for us all. When I asked my mother years later how she was able to endure watching Bob die, she told me, “I’m just glad I could be there for him.”
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